Sunday, May 9, 2010

Living Dolls (moved from workbook)

So recently I've started reading "Living Dolls" by Natasha Walter.
Now, I'm not a feminist, but this book raises some really great points about the growing hyper-sexuality of our time and the pressure on young girls to be super feminine, taking on extreme dieting and grooming routines in order to be successful.


Back in the day, Barbie was the doll of choice, and although she was often criticized for her unrealistic body, she was also admired for her aspirational qualities. She could be a pilot, an astronaut, the president, and she could look good doing it.


In 2001 a new series of dolls emerged and by 2004, began outselling Barbie in the UK. These dolls were called "Bratz" dolls, and they were all about all night mall parties and getting wild in Vegas. Margaret Talbot of The New Yorker describes the brats as having "large heads and skinny bodies; their almond-shaped eyes are tilted upward at the edges and adorned with thick crescents of eyeshadow, and their lips are lush and pillowy, glossed to a candy-apple sheen and rimmed with dark lip liner. They look like pole dancers on their way to work at a gentlemen’s club."

Margaret's full article can be found here and I found it very insightful, albeit a little long winded.

This all relates to the messages that are becoming more and more prominent in society. That a woman has to use her sexual prowess to become empowered, and that it is no longer desirable to achieve success through academic work or gaining positions of influence or power.
It seems that the majority of us concerned with this trend too, as there are a vast amount of blogs and comments sprawled over the internet speaking against bratz dolls and primary school kids wearing mini skirts while texting thier boyfriends on their own cellphones.

This all relates to my project through the connection between what ideals are being placed on females, and what they really want to do. It's about the tug of war between the private ideals and aspirations of the individual, and the public expectations of grooming and sexual exploitation, and how this all plays on the female mind. How failing to achieve the hyper-sexual ideal can result in loneliness and alienation, even if the individual is successful in their career or academic pursuits, and how fitting the ultra-feminine ideal really can open doors and bring social approval.
This is also about questioning the progress of society and sexual equality when such things are happening. Is sexism starting to move backwards into a dark ages? Will women once more be seen as mere sexual objects of desire or wives to produce children? And whats more, will it be the women who condemn themselves to this through aspirations of sexuality rather than financial and academic success?

The future of femininity...

This?














Or That?

Thursday, April 15, 2010

Ellliott Erwitt

My latest fascination is with this famous french photographer following a visit to the Dunedin Public Library and the discovery of one of his books titled simply "Snaps".

He grew up and studied in America and quickly became a renowned advertising and documentary photographer. He is known for his black and white candid shots of ironic and absurd situations within everyday settings -- the master of the "indecisive moment".

You've got to check it out to understand. The guy's a genius.
My current favourites...

1955, Colorado

1954, Wyoming

Friday, April 9, 2010

More Typologies

I've been thinking a lot about typologies lately and how I can use their structure to better my current work. I am thinking of creating small sets of typologies then choosing images that work with each other from each set to create my final project.

Tonight I discovered this nifty website: Ridgemont Typologies
There are 15 typology sets in the series, and the artist's statements are well researched and thought provoking.

Wednesday, March 31, 2010

Seeing Is Stealing

I was snooping around Alex's blog today and discovered this delightful link which I shall also now share.

SEEING IS STEALING

Basically, it's a blog full of fascinating photographers.

I'll write more on this when I find something relevant to my work/ check out the blogs that guy follows/ have a chance to check out the archives properly.

Typologies

After completely failing to find the book Rachel mentioned to me in class and/or recall the name of the typology photographer I researched last year, I decided to do some internet snooping which to my surprise led me to to a bevvy of information.

I found a whole heaps of artists who create typologies...
Stephen Shore
Bernd and Hilla Becher
Jeff Brouws
Amanda Keller-Konya
Francis Poole
Rafal Bigda

And a few blogs like this one discussing typologies...

Ground Glass

This particular blog references an amazing Typology project also referenced in Rachel's blog called Exactitudes.

Finally I also found an artist on Flickr who's work has given me a rather large spark of inspiration.
Jessica Greaves is a french photo student interested mostly in nature photography.
I am mostly interested in her typologies as well as her photo processing and the way she uses heavy vignetting and colour distortion to give her images a vintage feel.

These are my favourite sets:
Train Ticket Typology
Coastal Expressionism

Along with these images:
Set
Single Image

Angela Strassheim

This isn't related directly to my project, but I stumbled upon a great photo blog today and thought this post was really cool.




This is from a series called "Evidence" by Angela Strassheim. For this project Strassheim researched the locations of violent and horrific crimes, then approached the new land owners and tenants asking if she could uncover the history of their residence.
She used a substance called the "Blue Star" solution to activate the physical memory of blood through its contact with remaining proteins on the walls. Her long exposure photographs reveal the blood as "a lurid glow".

Margi Geerlinks (Netherlands)

Rachel kindly sent me links to 3 artists relating to my ideas. This one caught my attention in particular...

Margi's work deals with human image and idealism. Her images depict construction and reconstruction of the body in order to achieve ideal beauty.
In the below image "Gepetto" a man is constructing a 'perfect' woman, just as makeup artists, photographers and photo manipulators engineer perfect women for media images.


Her image "Mirror" relates directly to my mini project, as she has used photoshop to create an image of an old woman restoring her youth with a makeup pad.
This image made me think of how I could present the original photo of myself next to the heavily altered image, or even merge the two so that the ideal and the real is split right down the middle.

There is a sadness to all of her images as all her subjects hold a certain shallowness and disregard for inherent human beauty. Their achievements are unnatural, unnecessary, and seemingly only to impress other people.